I use a Mac nowadays, so I haven't used TLs products for quite a while. I shall reply here, since it might help others too. I guess it is not possible to reach quite the same goals within JS than it is in sent you a PM the other day about this thread but as you probably didn´t read it I decided to bump it. ![]() I just realized, the Loser plugins available for mac are JS only, no VST. Has someone else converted the existing LOSER plugins to a Mac?īy the way, is there a limiter you specifically like? If Waves doesn't get to you before you release it for us. That would be an astonishing limiter, I'm sure! I hope that will come to life. Maybe I can come up with a new better JS Limiter one day, that will automatically decide if it encounters a transient (clipping) or a steady tone (vca). I guess that's why it served all material well. Shouldn't it be popular to have a slider for the behaviour, from clean limiting to clipping? The Tls Maximizer has a soft-hard slider that seems to work a bit like that. After the explanation it is no wonder, as isn't the fact that I like SP's the most. Eventhorizon was terrible on distorted guitars, it created a very nasty sizzling edge on them even at 1dB reduction. Thanks for the marvellous lesson! This explains my experiences very precisely. The Eventhorizon is right on the other side of the spectrum, it's a clipper. The MGA_JSLimiter was made to be absolutely distortion free. Well since I don't have a Mac and no intention to buy one in the near future, I don't think it will happen too soon. When SP3 or SP7 is available for Mac, this thread might be completely useless! Any plans on the Mac translation? Not even my own stuff, I only partially like it, since I know exactly what it does and what button to push to perform in a specific way (and I can always tweak the source code to make it fit my needs )). Though I have to admit I don't like anything. I checked them out once, but I remember I didn't like them that much. Maybe I can come up with a new better JS Limiter one day, that will automatically decide if it encounters a transient (clipping) or a steady tone (vca), until then I fear you have to use different tools for different material.Īre you familiar with the Tls Maximizer or Tls Pocket Limiter? The SP Limiter are sort of a hybrid, they clip the signal to some extend and if further (too much) gain reduction is needed (so clipping alone won't cut it) it starts to use a normal VCA scheme to reduce the peak level of the signal. While this is good for short transients like drums, since it doesn't give you any pumping, it is really bad for other (more softer) material like violin since clipping the waveform introduces distortion, which isn't noticeable on short transient bursts (like a snare hit) but gets pretty annoying on a bowed long violin note. Which means it only reacts instantaneously and only clipping of the top of the waveform where it goes over the threshold. ![]() This can yield quite noticeable pumping when you use it on material with quick transients. The MGA_JSLimiter was made to be absolutely distortion free, so it got a absolute steady (maybe to absolute) and slow responding envelope follower, so each spike is going to be recognized, and gain reduction sets in. Just let me run down the difference between those 3. But even with a release within 0 to 20ms the MGA likes to pump. The openness comes with a price, they are prone to distortion. ![]() ![]() It is becoming my favourite of the bunch, but it starts pumping quite soon losing the openness and pure RMS that I get and like in Eventhorizon2 or SP1.
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